Reviews  

 

 



In Germany, Austria and Europe:
Opera Vladarski
Walter Vladarski

Döblinger Hauptstraße 57/18, A-1190 Wien
Tel.: +43 1 368 69 60 / 61
E-Mail: opera@vladarski.com
www.operavladarski.com

Management Spain:
Miguel Lerín Artists Management


La Rambla 54 - 2º 1ª
E - 08002 Barcelona

Telephone: +34 93 301 75 48
Facsimile: +34 93 301 74 86
email: lamilicia@telefonica.net

 

Verdi Requiem, London,2016

Aylesbury Review

Professional soloist, Cheri Rose Katz was brilliant.

 

Der Ring in 100 Minuten Premiere, September 2015

Peter P Pachel, NMZ.online

"Cheri Rose Katz, gives strong voice to Fricka, Erda and Flosshilde".

 

Das Lied von der Erde, 2014

Miami.com

Cheri Rose Katz, Internationally acclaimed Mezzo, Multi-layered sound and overflowing with emotion, Das Lied von der Erde

 

La Forza Del Destino,June 2014

Wiesbadener Kurier

"Beautiful, dark voiced gypsy".

 

Verdi Requiem,August 2013

Eastern Daily Press

Absolutely wonderful with a true Verdian voice, giving the ideal quality of sound for this work.

 

April 14, 2013:Prepare for battle: This afternoon is your last chance to hear Mobile Symphony Orchestra's thrilling 'Russian Revolutionaries'

Alabama.com, Tamara Ikenberg

The sixth movement featured a rich, beautiful solo by Mezzo Soprano Cheri Rose Katz. The singing symbolizes the sense of loss brought on by the battle. Katz sings of a search for her loved ones among the dead bodies of the brave Russian soldiers. The cantata is an amazing adrenaline rush. At the end, the audience gave the performers an extended standing ovation, thanking them for taking them on such a fantastic journey.

 

Crítica Ring Saga. Tetralogía wagneriana, Reggio Emilia,December 29, 2012

Opera World, Domenico Gatto

Cheri Rose Katz, in the dual roles of Erda and Waltraute was of excellent voice and presence.

 

Das Rheingold, Siegfried and Götterdämmerung at Teatro Valli, Reggio Emilia, Italy, December 5, 2012

Teatro.org, Mirko Bertolini

"One must single out Cheri Rose Katz for a beautiful voice and beautiful quality of singing in the dual roles of Erda and Waltraute."

 

Naxos International Recording, Lorenzo Palomo's Dulcinea,Dec.2010

Opera News

Cheri Rose Katz makes a brief but effective appearance as Teresa Panza, Sancho's wife.

 

Naxos International Recording, Lorenzo Palomo's Dulcinea, August, 2010

MusicWeb International, Glyn Pursglove

"In their relatively minor roles Burkhard Ulrich and Cheri Rose Katz do all that is required of them, and do it with assurance and conviction."

 

Puccini’s ‘Edgar’ Re-Imagined, World Premiere, by Anton Coppola,November 2009

The New York Press, Jonathan Leaf

The cast was often very good. Particularly notable was : the polished Cheri Rose Katz in a mezzo-soprano role of a willful courtesan who kills Edgar’s true love.

 

A NY l ' "Edgar" according to Anton Coppola, World Premiere, by Anton Coppola,November 2009

Oggi America, Franco Corsaro

"Very talented soloist,Cheri Rose Katz"

 

Opera Tampa, "Faust" role, Marthe

St.Petersburg Times, April 2009

entertaining production that boasts a strong cast, and mezzo-soprano Cheri Rose Katz as Marthe, a comic foil to Mephistopheles.

 

Soloist with the Greater PrincetonYouth Orchestra,Richard Strauss’ Morgen [Opus 27, No.4] and Zueignung [Opus 10, No. 1].

The Bulletin, January,2009

Katz, has distinguished herself once more performing,Richard Strauss’ Morgen [Opus 27, No.4] and Zueignung [Opus 10, No. 1]. Her dramatic mezzo-soprano voice, noted for its beauty of tone and stylish musicality thrilled the audience. We beheld a beautiful young woman gifted with a strong, expressive voice.

 

Contralto solo in Alexander Nevsky Cantata by Prokofiev with the Sinfonica de Puerto Rico in San Juan, Puerto Rico

El Vocero , May 2008

"Cheri Rose Katz displayed a rich voice of dark, majestic timbre and deep sonority. The long musical phrases, constructed with great skill and excellent articulation. were very organic."

 

Messiah:Thousands gather at Manger Square in Bethlehem

United Jerusalem Weekly, December 2007

The first to take the stage was the Prepare the Way Concert tour 2007 choir. They captivated the audience as they were joined by members of the Palestinian Youth Orchestra and internationally known soloists Stuart Neill, Sandra Lopez, Cheri Rose Katz and Horace English. They offered a message of justice and peace in Bethlehem and to the whole world as they concluded their performance.

 

Rigoletto: Greensboro Opera’s Production Balanced and Satisfying

William Thomas Walker, Classical Voice of North Carolina, November 2007

The villainous brother and sister, Sparaficile and Maddalena, were taken by experienced low-voiced singers. As the voluptuous Maddalena, mezzo-soprano Cheri Rose Katz’s lush, full sound bordered on that of a true contralto.

 

Classical Singer Article. 2/2007

Joe Connolly

Perseverance Pays Off

 

Berlin: World Premiere, Lorenzo Palomo's Dulcinea

Ópera Actual, June 2006

The Contralto, Cheri Rose Katz, embodied the perfection of the earthly Teresa.

 

Berlin:Katharina Wagner's production of Il Trittico

Musical Opinion Classical Music Magazine UK, May 2006

The accompanying roles, particularly Cheri Rose Katz as Frugola, were all cast from strength.

 

Berlin: DAS RHEINGOLD und DIE WALKÜRE:

Der Neue Merkur, 03.24. 2005

Among the altogether good singing and even better acting of the Rhine daughters (Fionnula McCARTHY, Woglinde; Ulrike HELZEL, Wellgunde) Cheri ROSE KATZ, as Flosshilde, distinguishes herself.

 

Berlin: Salome

Klassik.com

Cheri Rose Katz, in the thankless role of the page, makes one listen attentively!

 

Berlin: La Traviata

Klassik in Berlin 12/22/2004

Apart from the sovereign Cheri Rose Katz (Annina), the remaining singer ensemble was too lackluster.

 

The Bulletin 2004

The Bulletin 2004

The March concert of The Unknown Mascagni, with acclaimed author and pianist, Alan Mallach, was described as, “A beautiful voice; sang with depth and passion.”

“Two arias from the opera Carmen, displayed the mezzo-soprano’s acting ability and flexibility, as she transformed herself into the flirtatious, full-voiced Gypsy. Ms.Katz, has a strong expressive voice, that can be delicate or powerful, as the music demands.” -2003

 

Lola in Cavalleria Rusticana

Dan’s Paper 2003: Hamptons

Ms.Katz’s performance of Lola, was described as,” coupling a rich mezzo-soprano voice with looks that made you understand why Turriddu was tempted and why her husband took his revenge on him.”

 

Zanetto

The Newark Star Ledger 2000

Ms. Katz performed the title role in Mascagni’s rarely done Zanetto, with Artistic Director, Lucine Amara’s company NJ Association of Verismo Opera. The young mezzo praised for, “beauty of tone and stylish musicality.” “a superior voice and admirable performer.” – 2000

 

Southampton Press 1998

Southampton Press 1998

“The young mezzo, possesses a dark and beautiful voice. Her professionalism impressed one and all.”

 


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